I first met Victor Wooten at Bass Day 2001 just a couple of days after the World Trade Center disaster. Bass Day is a yearly summit assembly of the worlds greatest bass players. It is like a Mini NAMM show but for bass players only. It is well attended and everybody can talk to anybody. people like Chuck Rainey, John Patitucci, Christian McBride, Mark Egan, TM Stevens will be readily approachable for questions, autographs etc etc.
I was there in a manufacturing capacity. I was located directly next to Fodera Bass Guitars, (Victor plays Fodera's) I was able to speak to him quite a bit, I was impressed with his friendliness and his talent. He played a lot of basses that day. I was blown away by his playing. I have decided to carry Fodera Bass Guitars. I will be receiving them starting in March 2003.
The Victor Wooten Bio From Victors Official Website.
"I learned how to play music - - in fact I learned everything in life from my family."
Victor Wooten is one of the most celebrated electric bassists of all time. His secret seems to lie in doing his own thing, breaking boundaries and defying categorization along the way. Chip Stern wrote in Musician Magazine that he is "proof that all men are not created equal." To this Victor says, "A lot of guys who have been around for a long time are shocked when they see some of the things I am doing. Fortunately, they like it."
Victor's performances as a member of the Grammy-award winning Béla Fleck and the Flecktones have gained him the adoration of bass players and music fans worldwide. He was awarded a 1999 Nashville Music Award for Bassist of the Year (his second) and in 1998, he received his third Bass Player of the Year award from Bass Player Magazine (the only bassist to have received this award more than once) and was named one of the Top 10 Bass Innovators of the '90s by the same publication. Also in 1998, Vic won his second Grammy (Best Instrumental Composition for Almost 12 from The Flecktones album Left of Cool) and Down Beat magazine voted him Talent Most Deserving Wider Recognition. It was a very good year.
On Yin Yang, his third solo album, Victor again shows why he is considered a master of the electric bass. Throughout the album, Vic astounds with his remarkable technique, all the more exceptional for the fact that it never gets in the way of his earthy feeling for the groove. Together with a collection of guest artists including Kirk Whalum, Bootsy Collins, Peter Rowan, Steve Bailey, Count Bass D, Béla Fleck, Carter Beauford, Jeff Coffin, Rod McGaha, J.D. Blair, Stuart Duncan and The Wooten Brothers, Wooten has created a phenomenal musical offering full of creative compositions
Victor himself would be the first to tell you how his solo work is influenced by those around him. "My brothers and parents were the foundation," he says. "They prepared me for just about anything by teaching me to keep my mind open and to learn to adapt. Musically, that means not being rigid and not having to play in a certain way." Vic grew up in a military family, the youngest of five brothers. His brothers all played and sang, and by the time he was 3, oldest brother Regi was teaching him to play bass. Wooten credits his open-mindedness about music to this early start. "When you're older, you're more hesitant to try something because you're afraid it will look wrong or come out wrong. When you're a child it doesn't matter. We'd try anything. We'd do anything we could think of to try and duplicate the sounds we heard on records. I'd learn songs one note at a time by listening to records on the player, moving the needle back and then listening to it again. Playing the bass was like learning how to talk for me. It was just another language I was picking up."
Victor made his professional stage debut at age five with "The Wooten Brothers Band", the five-brother band that started out playing covers and later opened concert tours for Curtis Mayfield and War. They also spent several years playing music and honing their skills at Busch Gardens theme park in Williamsburg, Virginia. This experience provided him with a valuable training ground and a vehicle for his musical development.
"By the time I was 8 we considered ourselves seasoned professionals. The routine was: Get up, go to school, go home and do homework, take a nap, then go play a gig from 10 p.m. to 2 a.m. At a lot of places we couldn't even leave the stage because the place served alcohol and we were minors. It was a good time to grow up because where today you've got samplers and sequencers to copy anything, back then if we heard sounds on a record, we found ways to do them live with what we had."
The Wootens recorded an album for Arista Records in 1985 and learned the ups and downs of the record business from the experience. Two brothers played on Whitney Houston's debut album. Today Joseph is the keyboardist in the Steve Miller Band, Regi plays guitar and teaches in Nashville, and Rudy is a saxophonist, also in Nashville.
In 1988, Victor moved to Nashville and was immediately recruited by blues and soul singer Jonell Mosser. The following year he joined New Grass Revival's banjo ace Béla Fleck, who hired him and his brother, known as Future Man, to play in a jazz band for a Lonesome Pine Special TV show. The two brothers became the rhythm section and with Howard Levy on keyboards and harmonica. The Flecktones were born.
After Levy left at the end of 1992, The Flecktones continued as a trio with invited guest players that indicate how stylistically free-swinging the band is: Branford Marsalis, Paul McCandless, Bruce Hornsby, Grover Washington Jr., steel drummer Andy Narell, and Chick Corea. In 1998, saxophonist Jeff Coffin joined the band and The Flecktones have recently released "OUTBOUND" on SONY/Columbia. The album features the band performing with an all-star cast of guest artists including vocalists Shawn Colvin and Jon Anderson (of the group Yes), guitarist Adrian Belew, oboe player Paul McCandless, and keyboardist John Medeski (of the jazz jam-band Medeski, Martin & Wood).
While Victor can name dozens of bass players who have been influential - - from Bootsy Collins; Larry Graham to Stanley Clarke, and Motown's James Jamerson to Jaco Pastorius- - "overall it's about the music. Bass is just my way of playing the music."